ANNOUCEMENTS
ARTISTS RESPONDING TO ... Zine
A political and environmental publication to help ignite conversations and spread awareness through visual and written poetic responses.
Issue 8, April 2021 includes the eclectic works of 38 international artists responding to environmental, political and social issues.
To purchase: A.R.T. Zine Issue 8
Shape In All Its Forms
SITE:BROOKLYN GALLERY
In art, shape is both elusive and omnipresent. It structures our optical world but is often forgotten. Focus on it is often neglected in favor of color, concept, tactility, and subject. This show aims to bring shape to the forefront, to highlight its presence and dynamic interaction with subject matter and other formal considerations.
Travel Bans
C'aran D'ache on maps from the USA Atlas
17"x22"
Notes to the Future
Jason McCoy Gallery is please to present "Drawing Challenge XVI," inspired by an excerpt from Notes to the Future by Patti Smith. December, 2020
From my series, Civil Atrocities
Archival inkjet print
Photo Not Photo
Truro CastleHill Center for the Arts
SELECTIONS FROM THE YELLOW CHAIR SALONS CURATED BY MICHAEL DAVID
March 2021
From my series, Civil Atrocities
Archival inkjet print
Time is Love
Speaking in Bootongue and Widow's Peak: The Kiss of Death, were selected to be part of the world-wide video screening tour in 2020, curated by Kisito Assangni.
Visible Invisibility
Angime, an international, multilingual, and multidisciplinary literary and artistic journal, published digitally and in print.
Interview with Darya Demidenko
Text by Patricia Coleman
From my series, Darker Truth
Caran d'Ache in a vintage book, 10"x14," 2020
What I saw of her art showed invisibility in silhouettes of a body and the shape of a head. It appeared to me at battle with the pleasure of being invisible and with putting art in place of an artist’s visibility. - Patricia Coleman, Curator
Art Residency in Lisbon, Portugal
On the Tagus River, I took part in an art residency with my international artist collective, "Urban Dialogues," October 2018. This building was a mid-century treasure built for a World's Fair, with a Sol Lewitt wall mural.
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